Leslie Adkins
Originally from the Midwest, Leslie has spent the last decade exploring the natural world of Southern California and specifically, the wonders of its ancestral Tongva and Chumash Lands. As well as being inspired by the physical and spiritual relationship the Indigenous peoples of Topanga(the Tongva)have with nature, Leslie has also traveled the globe and been powerfully influenced by the culture and environs of such places as Indonesia and other Southeast Asian countries. The unique experiences Leslie continues to encounter in her travels serve as endless sources of inspiration and learning for her. As an artist, avid outdoor explorer, and practicing yogi, Leslie has a deep relationship both with nature and her interior life. Like traveling to different cultures & places, her time in nature and her TM practice also inform her artwork.
Leslie received a Bachelor’s Degree in Art and Design from Columbia College, Chicago. Since 2013, she has exhibited in the following galleries & Museums, The Museum of Science & Industry in Chicago, IL, LA Art Show in Los Angeles, CA, The Modbo Gallery in Colorado Springs, CO, and Viridian Gallery in New York, NY.
Artist Statement
At the core of my work is a longing to express and celebrate the complexity of Black identity, as well as highlight our essential connection to the natural world while dismantling false narratives. As a mixed media artist and figurative painter, much of my work involves painting with acrylics on canvas, linen, and reclaimed wood. I gravitate towards these specific materials because of the organic qualities they imbue my work with. Most recently, I have been working with wool embroidery as an additional natural element to create textured plants and flowers that punctuate my compositions and surround the people in my paintings.
By focusing on Black portraiture within an earthy yet vibrant color pallet, natural elements, and spiritual symbology, I aim to create an other-worldly image that creates a sense of balance as well as captures the nuances of the people I paint. From the colors of their clothing to the gestures of their bodies to the nature that envelopes them, for me, it is important to represent Black identity with as much complexity and spirit as possible, in order to decolonize the Black body and the Black image, and to reclaim Black innocence: the essential qualities inherent to us as people that so often are systemically destroyed and dismantled.
“In Her Flow” 2023, Leslie Adkins
USD 7400
inquire to purchase: AL@dorado806.com